Verlag für Kunst, Kultur und Fotografie

Rediscovering Rural America Through Erich Hartmann’s Lens

From November 28, 2013, to February 28, 2014, the heart of rustic America was brought to life in Heidelberg through Erich Hartmann’s poignant exhibition, showcasing his remarkable work, Our Daily Bread. This captivating assembly at the heart of Centralia, Kansas, focused on the daily lives of farmers in 1956, capturing an era when the simplicity of rural life told profound stories through vivid images.

An In-Depth Look at 'Our Daily Bread'

Published by Kehrer Verlag, Our Daily Bread delves deep into the agrarian lifestyle, reflecting on the diligence, resilience, and unyielding spirit of the farmers. Hartmann’s eye for detail and his ability to encapsulate moments of tranquility and toil have given viewers a tangible experience of life in the mid-20th century farm belt.

Capturing Centralia, Kansas: A Glimpse Into The Past

At the heart of Hartmann’s work lies a singular image that resonates with history buffs and photography enthusiasts alike – a farmer resting, back bent and spirit unwavering, amid the sprawling fields of Centralia, Kansas. This image, owned by Magnum Photos, serves as a window into a bygone era, immortalizing the toil and triumph of rural America during the 1950s.

The Exhibition's Impact and Reception

This profound assembly was more than just photographs hanging on walls. It was a testament to the complex tapestry of rural existence, and the exhibition’s success in Heidelberg attests to a sustained appreciation for Hartmann’s work. Attendees were offered a journey through time, reconnecting with the rhythms of country life that have shaped the agricultural backbone of the United States.

After a fulfilling day exploring the exhibition and absorbing the rich history of Our Daily Bread, visitors can find comfort in one of Heidelberg’s many welcoming hotels. With accommodations that offer both luxury and a warm, homely atmosphere, guests can relax and reflect on the striking photographs, perhaps even pondering their own connections to the stories told through Hartmann’s lens.