Andreas Winkler photographs nuclear power plants – as sculptures, as architecture, as part of the landscape, as an element of European life. Only the non-essential parts of the whole are visible: cooling towers, transformer substations, administration buildings and streets with vehicles.

ISBN 978-3-86828-306-8
29,90 Euro
2012

They are usually red – the installations and large-format drawings by Brigitte Waldach. Her figures move through an architecture or landscape delineated with just a few strokes, often accompanied by words, sentences or whole clouds of text.

ISBN 978-3-86828-116-3
28 Euro
2010

In her artist’s book “Trailer”, Brigitte Waldach works with the interconnection of coloured photographs and drawings conceived in red, which both centre on a lonely female figure in different locational contexts.

ISBN 978-3-939583-60-8
19,80
2007

Christian Wolter in his Blühende Landschaften* embraces the failing of ­several industrial and construction projects which due to misplanning were stopped at some point before their commissioning.

ISBN 978-3-939583-90-5
36 Euro
2008

During the last 20 years, Christian Wulffen has developed an encyclopedic oeuvre based on a single individual ordering system. Whether urban or museum spaces, catalogues or other print media (i.e. information spaces), the artist measures them all according to his own art and information yardstick, opening up new options for interpretation.

ISBN 978-3-933257-28-4
20 Euro
2003

Starting out from an enduring fascination with the Mnemosyne Atlas by Aby Warburg, this reference in the title also pays homage to the ‘artistic’ art historian.

ISBN 978-3-86828-367-9
36,00 Euro
2012

"Serendipity" means an accidental observation out of which a new and surprising discovery grows. The phenomenon aptly describes Weinold’s artistic method: most of his works are based not on a pictorial idea to be realized, but rather on a fortuitous finding in the course of a long working process.

ISBN 978-3-86828-136-1
25 Euro
2010

Bauhaus student Fritz Winter, who was to become one of Germany’s premier postwar abstract painters, was likewise obsessed in the 1930s with the metaphorical qualities and the aesthetic of light. He proved to be a virtuoso at incorporating the transparency of glass and crystal, as well as the reflections and luminosity of light, into his artworks.

ISBN 978-3-86828-320-4
28 Euro
2012

Born in 1959 in Biberach / Riß, the artist Hermann Weber often works in cycles. In the past few years alone, he has created 31 different series of paintings and sculptures.

ISBN 978-3-86828-208-5
30 Euro
2011

“Johannes Wüsten. Leben und Kunst” is to date the most extensive documentation of the works of this once unjustly forgotten artist.

ISBN 978-3-9804444-7-7
35 Euro
1996